Baroque band ACRONYM — an "outstanding young early-music string ensemble" (The New Yorker)—is dedicated to giving modern premieres of the wild instrumental music of the seventeenth century. Playing with “...consummate style, grace, and unity of spirit” (The New York Times), the group formed in 2012 and has released ten critically acclaimed CDs since 2014. Recent projects include the first modern performances and recordings of works by Biber, Rosenmüller, Capricornus, and more. The band’s most recent album, Cantica Obsoleta (2020), features the modern premiere recordings of nearly-lost works from Sweden’s Düben Collection. The Boston Globe raves, “this musical time-capsule offers enough resplendence to transport anyone.”
Recent and upcoming engagements for ACRONYM include the Boston Early Music Festival, Festival Oude Muziek Utrecht (Netherlands), Music Before 1800 (NYC), Isabella Stewart Gardner Museum (Boston), Naumburg Orchestral Concerts (NYC), Oberlin’s Artist Recital Series, Hamilton College Performing Arts Series (Clinton, NY), Baldwin Wallace Bach Festival (OH), Lincoln Friends of Chamber Music (NE), Arizona Early Music, Indianapolis Early Music Festival, Renaissance & Baroque (Pittsburgh), Chamber Music Wilmington (NC), Electric Earth Concerts (Peterborough, NH), and Five Boroughs Music Festival in New York City. ACRONYM has held academic residencies at Youngstown State University and Vassar College, and the group’s musicians can be heard in Tafelmusik, Les Arts Florissants, Apollo’s Fire, Handel and Haydn Society and the English Concert.
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RT @bostonearly: We are thrilled to welcome you to the BEMF stage! https://t.co/0HUXAaq8t5 https://t.co/JNukO8hTMt
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RT @petergarner: This Schmelzer sonata by @ACRONYMENSEMBLE just came up in Apple Music, & I am reminded of why I like them so much.… https://t.co/vvSbFb70yd
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We are so excited to play at @bostonearly this summer!!!!